Jeremy Moss (born 1978; Saint George, UT, United States) is an experimental filmmaker, educator, and programmer whose films take shape in surrealist, abstract, and lyrical forms. His sensibility stems from his upbringing in the dramatic landscapes of Southwestern Utah — where the Mojave Desert meets the Great Basin and Colorado Plateau — and he approaches his work agnostically, moving freely across 16mm and digital video, between experimental, documentary, and narrative modes.
Beneath the formal restlessness runs a persistent undertow: belief in flux, apostasy, and transformation through bodies in landscapes changed by memory and myth. Moss is the director of 20+ films, including I, Apostate, Camera Sick, and Those Inescapable Slivers of Celluloid, with nearly 200 festival screenings in over 30 countries. His films are shaped by place as a structural and historical force, where horizon lines, light, and cultural weight inform formal entanglements.
Location work has taken him across four continents, from Brazil and Ecuador to Sweden, the United Kingdom, and most recently Bolivia, with artist residencies at Alchemy Film and Moving Image (Morocco), the Virginia Center for the Creative Arts, and Atelier 105 (Paris). Distributed by Light Cone (Paris), his work has screened at a range of prominent venues including Edinburgh International Film Festival, Jihlava International Documentary Film Festival, TIFF Lightbox, Microscope Gallery, Anthology Film Archives, CROSSROADS, and UnionDocs.
Moss co-founded the Gleaners Film Festival/Club and he programs for the annual Moviate Underground Film Festival. He is an Associate Professor of Film and Director of the Film and Media Arts Program at Franklin & Marshall College. His films are distribute by Light Cone.